Comments on: Vägen mot Frauds, del 7 http://www.monotoni.se/bass/2008/05/vagen-mot-frauds-del-7/ Irrfärder och irrpostningar kring popkultur, musik och jidder. Av Billy Rimgard. Fri, 12 Mar 2010 12:26:36 +0100 http://wordpress.org/?v=abc hourly 1 By: Billy R http://www.monotoni.se/bass/2008/05/vagen-mot-frauds-del-7/comment-page-1/#comment-112760 Billy R Fri, 23 May 2008 17:12:56 +0000 http://www.monotoni.se/bass/2008/05/vagen-mot-frauds-del-7/#comment-112760 Kim: Tack för att du påminde om The Field! Det är verkligen ett perfekt exempel på vad jag menar. Jag klipper ur en <a HREF="http://www.pitchforkmedia.com/article/feature/42128-interview-the-field" TARGET="_blank" rel="nofollow">intervju på Pitchfork</a>: <b>Pitchfork</b>: So in "Sun & Ice", like, five minutes in… <b>Field</b>: Yeah, that was a mistake. That was the delay, like, overloaded in a way. The whole computer started to make that noise, distortion and stuff. <b>Pitchfork</b>: And you left it in there? <b>Field</b>: Yeah, I can't work with a track, I can't go back to a track. I have to make it when I start. Kim: Tack för att du påminde om The Field! Det är verkligen ett perfekt exempel på vad jag menar. Jag klipper ur en intervju på Pitchfork:

Pitchfork: So in “Sun & Ice”, like, five minutes in…
Field: Yeah, that was a mistake. That was the delay, like, overloaded in a way. The whole computer started to make that noise, distortion and stuff.
Pitchfork: And you left it in there?
Field: Yeah, I can’t work with a track, I can’t go back to a track. I have to make it when I start.

]]> By: Kim http://www.monotoni.se/bass/2008/05/vagen-mot-frauds-del-7/comment-page-1/#comment-112759 Kim Fri, 23 May 2008 16:44:24 +0000 http://www.monotoni.se/bass/2008/05/vagen-mot-frauds-del-7/#comment-112759 Mitt favoritögonblick av The Fields "From Here We Go Sublime" har alltid varit ungefär 5 minuter in i Sun & Ice: http://www.pitchforkmedia.com/article/feature/42128-interview-the-field Annars heter ju slumpens mästare Steve Reich, och det vackraste exemplet måste ju vara "Music for 18 Musicians." "This music was almost totally based on slowly shifting repetition, which was often purposely generated by pure chance (ie: In C was made bytelling a bunch of musicians to play their parts "at their own pace," and by only playing what they felt like.)" (från http://www.listology.com/content_show.cfm/content_id.25894/Music) Mitt favoritögonblick av The Fields “From Here We Go Sublime” har alltid varit ungefär 5 minuter in i Sun & Ice: http://www.pitchforkmedia.com/article/feature/42128-interview-the-field

Annars heter ju slumpens mästare Steve Reich, och det vackraste exemplet måste ju vara “Music for 18 Musicians.” “This music was almost totally based on slowly shifting repetition, which was often purposely generated by pure chance (ie: In C was made bytelling a bunch of musicians to play their parts “at their own pace,” and by only playing what they felt like.)”
(från http://www.listology.com/content_show.cfm/content_id.25894/Music)

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